<center><a href="https://dsound.audio/#!/@d-vine/20181121t185028199z-deep-in-the-house-by-d-vine"><img src="https://node02.dsound.audio/ipfs/QmS995HSD7MTG9SMVAAz57bKGDnqucmRVeDPJ8BGjP5zDb" width="400px"></a></center>
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### <center> Hello! </center>


<center> Today I am entering my track Deep House track ["Deep In The House"](https://choon.co/tracks/53tz0u1ojv/deep-in-the-house/) into the [Sprout: From Seed to Song: DSound Community Initiative](https://steemit.com/sprout/@playitforward/e45bt-sprout-from-seed-to-song-dsound-community-initiative-this-week-s-winners-and-seed) hosted by @playitforward.<center> 

#### <center> This weeks seed is this rad artwork by @rowell</center>

<center><a href="https://steemit.com/artisteem/@rowell/artisteem--rowell--2125977387--artisteem-templo-drawing-art-illustration--2018-11-15-20-21-38--artwork--none"><img src="https://i.imgur.com/L1FP2jH.jpg" /></a></center>

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##### <center> As some of you might know, I  am a vinyl DJ since 1996.</center> 
<center>Back then it was Drum &amp; Bass that first got me behind the decks.</center> 

###### <center>![](https://i.imgur.com/Ir69GOR.jpg)</center> <center>The photo was taken at the Hinotama Hall in Okinawa, Japan 2013</center>

<center> In '94, I stumbled into a House Party in a Club called XS in Frankfurt, thinking there would be Breakbeats. 
To my pleasure &amp; excitement, I found George Morel spinning.
That moment, I fell in love hard with House/ Deep House music &amp; it became another one of my favorite genres to spin &amp; get sweaty on the dance-floor with.
</center> 


<center>Juan Atkins, Derrick May, Carl Craig, Kevin Saunderson &amp; George Morel, are just a few of my heroes in this field &amp; I can happily say, I‘ve seen them all dj live several times!</center> 

<center><iframe frameborder="0" allowfullscreen="allowfullscreen" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" src="https://www.youtube.com/embed/J7wXck03hTw" width="640" height="360"></iframe></center> 



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### <center>To create  ["Deep In The House"](https://choon.co/tracks/53tz0u1ojv/deep-in-the-house/) I used Studio One &amp; here are some VST's I can remember :</center>
<center>Fabfilter Eq
UAD LA2A
Rvox
Lexicon Reverb
UAD Precision Limiter

In the mastering chain I added our analog compressor Urei 11788 (clone).</center> 

<center> To increase the stereo width of the overall mix, I always do Mid/Side (M/S) processing.<center> 

#### <center> Why bother with M / S editing?</center> 
<center> Here are a few points:</center> 

##### <center> Dynamics:</center> 
By separately processing center and side signal components, all important mix elements such as bass drum, bass and lead vocals can be compressed, controlled in their dynamics and made more compact, since these instruments are usually mixed in the mono center.
Dynamic vocals can be effectively stabilized, making the important bass / bass drum range more powerful and present.
On the other hand, of course, the side parts of the stereo file can also be kept more transparent and stable without being to dynamic on the important transients of bass drum, snare or vocals.
A stronger compression of the sides can also bring the effects used in the mix out more clearly.
</center> 

##### <center> Frequency image:</center> 
To give the important, low frequencies of mostly mono mixed bass drums and basses the necessary space in the mix and thus to make the mix more transparent and balanced, you can use a gentle low-cut filter on the side parts, for example.
Also, the highs of the side signals can be raised without risking too much hissing sharp emphasis on the center lead vocals. Drum overheads, keyboard surfaces, guitar walls and effects can be refined through silky heights, without the lead vocals' S-lute becoming too dominant.</center> 

##### <center> De-Essing:</center> 
Using a de-esser on the mid-range signal effectively counteracts annoying sibilants and sharp sibyllants without sacrificing the brilliance and transparency of drum overheads or room signals.</center> 

##### <center> Stereo Width:</center>
<center>The M / S principle helps to control the stereo width of the stereo file very effectively. If you slightly increase the level of the side parts and lower the middle information for it, this results in a seemingly widened stereo base because of the emergence of phantom sound sources. If you overdo this process, it can result in very extreme &amp; usually undesirable effects.</center> 

##### <center> Crazy Cross-Effects:</center>
Playing with the possibilities of M / S splitting of the stereo signal, sometimes can create very crazy effects.
In particular, the combination of compressors and gates in conjunction with cross-routed side-chaining can create a creative sound designs that can "run" from the center to the sides, depending on frequency or dynamics, or vice versa. Attentive experimentation is required here, always with a critical view towards the fidelity of the developing result.</center> 

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#### <center> I created a lil video to go along with ["Deep In The House" by D-VINE](https://choon.co/tracks/53tz0u1ojv/deep-in-the-house/) using iMovie.</center>

<center> <iframe frameborder="0" allowfullscreen="allowfullscreen" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" src="https://www.youtube.com/embed/a5zf5hvJqxg" width="640" height="360"></iframe></center> 

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#### <center>I hope you ALL enjoy  ["Deep In The House"](https://choon.co/tracks/53tz0u1ojv/deep-in-the-house/) &amp; have a great Wednesday.</center>

<center> <a href="https://choon.co/tracks/53tz0u1ojv/deep-in-the-house/" rel="noopener" title="This will take you to an external website..."><img src="https://i.imgur.com/iy2yATe.jpg" /></a>

</center>


<center>Huggins,
D-VINE ♡</center>


<center> P.S. This one goes out to @boyerobert, I know you love Deep House </center>




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