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<hr>An acute analysis of Venezuelan musical phenomenology tells us that the Tenth Spinel serves as a poetic-literary basis for popular musical creation. These manifestations refer to events that range from religious cults or celebrations of a human nature. In the eastern Venezuelan region, types of music such as the fulia, the point and the gallery and music are directly related to the religious devotion to the May Cross, the Viren and the Saints. Contrary to this, the Oriental Bagpipe and Bagpipe Margariteña, refer, mostly, topics of everyday life, historical accounts, references to popular characters, humorous issues and even fables and myths. All of them sung in tenths.


On this occasion I will refer to the Bagpipe Margariteña whose lyrics are the most popular, that is, the most sung-known, by the great majority of Venezuelans. This version of the lyrics was compiled by Rafael Suarez, from Margarita, who later recorded it with the Venezuelan Vocal Group Quinteto Contrapunto, converting it, then, into a classic from the Venezuelan popular repertoire. This Bagpipe does not have a special title, it is simply known as Gaita Margariteña. Musically, it is a type of music from eastern Venezuela that has a fixed harmonic structure or what is equal a predetermined harmonic rhythm. This harmonic structure is very similar to the old Arabic-Andalusian maqam and is developed, almost always, in a minor mode on the rhythmic basis equal to the Venezuelan merengue. In this opportunity, it is interpreted by two Venezuelans Ilan Chester and Hernán Gamboa (Venezuelan Voice and Cuatro) in the Musical Production that the first one made and that has the title COSTS: treasures of Venezuelan music.


As for the tenth spinel, the rhyme is as follows: the first verse rhymes with the fourth and fifth, the second with the third, the sixth with the seventh and the tenth, finally, the eighth with the ninth.


Hoping it will please you all.


Estelio Padilla


Title of the work: Bagpipe Margariteña
Genre: Bagpipe Margariteña
Letter: Recopilación de Rafael Suárez
Music: Venezuelan folklore
Voice: Ilan Chester and Hernán Gamboa (a duo)

1st Stanza


1. The shell says at sea:
2. I keep a wealth,
3. A beauty garment
4. With a natural brightness.
5. I am worth more than the coral,
6. That the diamond and that the ruby,
7. I do not change for you,
8. Well and I'm worth where I want
9. And in foreign regions
10. They appreciate me there.

Chorus

They say there was, there was nothing,
I'm leaving for Yoco at dawn
At dawn I'm going to the Yoco
Because the guava has me crazy.

You, you, you sent her to put
(That if he puts the pay and
If you do not put it too) Bis.

2nd Stanza


1. Paw e'goat complains
2. And also the snail,
3. For us there is no pain,
4. This is what the clam says.
5. Also the pope to the queen
6. Tell your past story,
7. What a miserable life
8. Let us be God in the world,
9. In these deep seas
10. Where we are worthless

Chorus

They say there was, there was nothing,
I'm leaving for Yoco at dawn
At dawn I'm going to the Yoco
Because the guava has me crazy.

You, you, you sent her to put
(That if he puts the pay and
If you do not put it too) Bis.


3rd Stanza

1. My three beloved brothers
2. He took them to stream
3. A child sadly says,
4. What a painful case.
5. We march together
6. To bathe without fear
7. And the river came with its fury
8. He took them very lightly,
9. When they disappeared
10. What would my pain be?

Chorus

They say there was, there was nothing,
I'm leaving for Yoco at dawn
At dawn I'm going to the Yoco
Because the guava has me crazy.

You, you, you sent her to put
(That if he puts the pay and
If you do not put it too) Bis.
<hr>
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