Eighty-One by fjcalduch

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· @fjcalduch ·
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Eighty-One
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<p><div class="text-justify">Wayne Shorter (tenor sax), Miles Davis (trumpet), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums). From the album <em>E.S.P.</em> (1965).</div></p>
<p><div class="text-justify">Miles Davis was an American jazz trumpeter, bandleader and composer. Throughout a proffesional career of 50 years, Miles Davis played the trumpet with a lyrical, introspective and melodic style, often using a Harmon mute to make his sound more personal and intimate. His undeniable influence on jazz marks the history of this music from the mid-1940s to the early 1990s.</div></p>
<p><center>https://cdn.steemitimages.com/DQmWBTnnpEJx1fzGZ3wvUtUmcoejNTz6qTBSiGyenmTtV5h/Miles%20Davis%205.jpg</center></p>
<p><center>Miles Davis</center></p>
<p><a href="https://www.gettyimages.es/detail/fotograf%C3%ADa-de-noticias/miles-davis-sweating-as-he-plays-trumpet-at-the-fotograf%C3%ADa-de-noticias/612576450">Source</a></p>
<p><div class="text-justify">He took part in almost all the innovations produced during that period, often being a true pioneer, both with his renditions and recordings as with the choice of his collaborators, who in turn opened new paths. It can even be said that jazz stopped evolving when Davis was no longer there to drive it forward. Davis wasn’t a virtuoso trumpeter, like Dizzy Gillespie or Clifford Brown, but he had three lucky strikes: playing with Charlie Parker when he arrived in New York, signing with Columbia Records in 1955 and appearing on a CBS television show playing “So What”.</div></p>
<p><center>https://cdn.steemitimages.com/DQmSBem7Na8tDHkSMX4LmR5DELPhtDDckRg8k7HeKRa3Rrz/Miles%20Davis%206.jpg</center></p>
<p><center>Miles Davis</center></p>
<p><a href="https://www.pinterest.es/pin/334603447286365323/">Source</a></p>
<p><div class="text-justify">This theme is a blues with a creative and modern melody at medium tempo. The first one to make his solo is Davis following the blues harmonies and adding short and quick phrases. Suddenly, Carter introduces walking and Davis’s solo takes on a different character, with a lot of swing. He is followed by Shorter with suggestive, well controlled and articulated phrases, and when the walking comes back, you have no choice but to move your feet. Then Hancock enters with a concise chord-based speech before the group re-exposes the theme fading out.</div></p>
<p>https://www.youtube.com/watch?v=xnJl5CXZ82M</p>
<p><a href="https://www.youtube.com/channel/UCF05qcfZ7AtfM6qZB4ZuXxg">Source</a></p>
<p>© Columbia Records</p>
<p><center>https://cdn.steemitimages.com/DQmRJRMnYHYgmUoYPrUkNebCavYe17LV5KXqjgaUaZFxYad/Dibujo%20final%20post.jpg</center></p>
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