<html> <h2>Hello!</h2> <p> <a href="https://steemit.com/fashion/@inna-yatsuk/fashion-history-gianfranco-ferre-the-one-who-created-the-italian-fashion-architect-of-italian-fashion">Part 1.</a> <a href="https://steemit.com/fashion/@inna-yatsuk/fashion-history-gianfranco-ferre-the-one-who-created-the-italian-fashion-architect-of-italian-fashion-part-2">Part 2.</a> <a href="https://steemit.com/fashion/@inna-yatsuk/fashion-history-gianfranco-ferre-the-one-who-created-the-italian-fashion-architect-of-italian-fashion-part-3">Part 3.</a><a href="https://steemit.com/fashion/@inna-yatsuk/fashion-history-gianfranco-ferre-the-one-who-created-the-italian-fashion-architect-of-italian-fashion-part-4"> Part 4.</a></p> <p><img src="https://wiki.wildberries.ru/img/2011/09/1245debcab1f259541be462a21c0b130.jpg" width="556" height="750"/></p> <p><a href="https://wiki.wildberries.ru/people/designers/%D1%84%D0%B5%D1%80%D1%80%D0%B5-%D0%B4%D0%B6%D0%B0%D0%BD%D1%84%D1%80%D0%B0%D0%BD%D0%BA%D0%BE">foto</a></p> <h3><em>Ferre left Christian Dior in the midst of the High Fashion crisis and returned to his own brand, more democratic, functional, devoid of unprofitable pathos, so characteristic of the Paris Houses. Until the last day he despised embellishment and was true to the principle of perfect simplicity, especially with regard to men's collections. Friends and colleagues of Ferre noted that the clothes he created, a direct continuation of his own. A regally calm, large, but very manly and charismatic gentleman - he reminded Winnie the Pooh in an impeccable troika. By the way, all his regular clients and admirers of his talent considered it their duty to give Gianfranco teddy bears, these toys were placed throughout the office, in the offices and workshops. But presenting Ferre as soft and cheerful, customers were wrong, he was very stubborn at work and never allowed himself to be persuaded. But if reality did not obey him, he could be quick-tempered and offensive to the direct, but still could not tolerate press releases and did not like when he was asked questions about trends for the upcoming season.</em></h3> <p><em>Ферре покинул Кристиан Диор в самый разгар кризиса Высокой моды и вернулся к собственному бренду, более демократическому, функциональному, лишенного нерентабельного пафоса, так свойственного парижским Домам. До последнего дня он презирал украшательство и был верен принципу совершенной простоты, особенно это касалось мужских коллекций. Друзья и коллеги Ферре отмечали, что создаваемая им одежда, прямое продолжение его самого. Царственно спокойный, крупный, но очень мужественный и харизматичный джентльмен - он напоминал Винни Пуха в безупречной тройке. Кстати, все его постоянные клиентки и просто почитатели его таланта считали своим долгом дарить Джанфранко плюшевых медвежат, это игрушки были расставлены по всему офису, в кабинетах и мастерских. Но представляя Ферре мягким и веселым, клиенты ошибались, он в работе был очень упрямым и никогда не позволял себя убедить. Но если реальность не подчинялась ему, мог быть вспыльчивым и оскорбительно прямым, а еще не мог терпеть пресс-релизы и не любил, когда ему задавали вопросы о тенденциях на предстоящий сезон.</em></p> <p><img src="https://wiki.wildberries.ru/img/2011/09/Untitled-4.jpg_h875.jpg" width="558" height="750"/></p> <p><a href="https://wiki.wildberries.ru/people/designers/%D1%84%D0%B5%D1%80%D1%80%D0%B5-%D0%B4%D0%B6%D0%B0%D0%BD%D1%84%D1%80%D0%B0%D0%BD%D0%BA%D0%BE">foto</a></p> <h3><em>Once at the presentation of the new fragrance he said: "For me, there is no perfume fashion, the fragrance should be whole and devoid of fuss." He did not fuss about the creation of clothes, he believed that even everyday dress should be the object of desire. And really, in his hands the most basic thing, thanks to a complex cut, expensive fabrics, decorative elements became the most desired. For example, he adored white shirts and perceived work on each of them as an architectural project. He said: "If you have at least one white shirt in your wardrobe, then you are practically dressed for any situation." In the end, the white shirt became a love for Ferre, his inspiration, the constant of his collections and even the symbol of the fashionable House of Gianfranco Ferre.</em></h3> <p><em>Однажды на презентации нового аромата он сказал:"Для меня не существует парфюмерной моды, аромат должен быть цельным и лишенным суеты." Не суетился он и в создании одежды, он считал, что даже повседневный наряд должен быть предметом желания. И действительно, в его руках самая базовая вещь, благодаря сложному крою, дорогим тканям, декоративным элементам становилась самой желанной. Например, он обожал белые рубашки и воспринимал работу над каждой из них как архитектурный проект. Он говорил:"Если у вас в гардеробе есть хоть одна белая рубашка, то вы практически одеты для любой ситуации." В конце концов белая рубашка стала любовью Ферре, его вдохновением, константой его коллекций и даже символом модного Дома Джанфранко Ферре.</em></p> <p><img src="https://cdn.steemitimages.com/0x0/https://cdn.steemitimages.com/DQmUzrXXi55rkfQmp3qcvSBzsPrv92fJaV4L8NHeTvsWPQW/754727411912747.jpeg" width="750" height="519"/></p> <p><a href="http://style.rbc.ru/items/571638659a79472acdb349af">foto</a></p> <h3><em>But before the beginning of the 20th century, the white shirt was a symbol of belonging to the upper class, only those who did not work could keep it clean. Settling first in the men's wardrobe, already from there she migrated to the female, revealing her full potential. Remember, in a white shirt, Jennifer Gray learned to dance dirty with Patrick Swayze, Audrey Heiben was riding a scooter around Rome, Sherron Stone could seduce anyone by unfastening a few top buttons, and Dayan Keaton tied a tie from the top and walked around New York with Woody Allen . White shirt Ferré is an association of complete freedom, he gave her an absolute advantage in the wardrobe and throughout his career read the shirt anew, each time changing it beyond recognition.</em></h3> <p><em>А ведь до начала 20-го века белая рубашка была символом принадлежности к высшему классу, сохранить ее чистой могли лишь те, кто не работает. Поселившись сначала в мужском гардеробе, уже оттуда она перекочевала в женский, раскрыв весь свой потенциал. Вспомните, в белой рубашке Дженифер Грей училась грязно танцевать с Патриком Свейзи, Одри Хейбен каталась на мотороллере по Риму, Шеррон Стоун могла соблазнить кого угодно, всего расстегнув несколько верхних пуговиц, а Даян Киттон повязывала сверху галстук и гуляла по Нью-Йорку с Вуди Аленом. Белая рубашка Ферре - это ассоциация полной свободы, он отдал ей абсолютное преимущество в гардеробе и на протяжении всей своей карьеры читал рубашку заново, каждый раз меняя ее до неузнаваемости.</em></p> <h2> If you want to see the rainbow - you must survive the rain.</h2> <p><em>Если вы хотите увидеть радугу - вы должны пережить дождь.</em></p> <h3>Thank you for Your attention!</h3> <p>Follow me! <a href="https://steemit.com/@inna-yatsuk">@inna-yatsuk</a> </p> <h3><a href="https://www.mannabase.com/?ref=891bae8063">Get Universal Basic Income - Free Tokens.</a></h3> <p><br></p> <p><img src="https://cdn.steemitimages.com/0x0/https://cdn.steemitimages.com/0x0/https://cdn.steemitimages.com/0x0/https://steemitimages.com/DQmSQnxEBigCNXYe3hUB5ujRMmAvq1r851wGFc5LwZTkfRv/rebelheart.png" width="720" height="90"/></p> </html>
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Ах, эти белые рубашки!.... А мне вспомнилась Ума Турман, танцующая в Криминальном чтиве )) Интересно, что после Ваших статей на бренд смотришь уже совершенно под другим углом. Эти истории добавляют ему "характера". Спасибо!
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Эти все истории моды мне так знакомы... Я сразу вспоминаю свою работу над сложными вещами, когда я вычисляла и продумывала крой сложной вещи, а потом видя счастливую клиентку,думала "Не очень то и большое счастье получить это платье или блузку...." Может, когда умеешь все себе сшить, тогда и не задумываешься,что это сложно)) Я немного оставила сейчас шитье, а теперь уже подумываю опять вернуться, но опять же останавливает то, что наш поселок маленький и шить тут такие сложные вещи не выгодно...
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Понимаю.... Когда-то я была в похожей ситуации. Теперь судьба привела в Киев, тут в этом плане лучше. Но есть другие минусы
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To listen to the audio version of this article click on the play image. [](http://ec2-52-72-169-104.compute-1.amazonaws.com/inna-yatsuk__fashion-history-gianfranco-ferre-the-one-who-created-the-italian-fashion-architect-of-italian-fashion-part-5.mp3) Brought to you by [@tts](https://steemit.com/tts/@tts/introduction). If you find it useful please consider upvoting this reply.
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Thank you!
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