<div class="text-justify"> <div class=pull-left><b>Otto Wagner: Stadtbahn Pavilion at Karlsplatz, Linke Wienzeile Buildings.</b><p></p> Otto Wagner (1841-1918) was one of the first architects to oppose the architectural style of Historism popular at the turn of the 19th and 20th centuries, which was most notably limited to imitating styles of past eras. Wagner stood up for a new architecture adapted to the time and life of modern people. While his radical designs were celebrated by representatives of modernism such as the Vienna Secessionists, they were sheer provocation to the guardians of tradition. This may also have been one of the reasons why many of his visionary projects never came to fruition. In the next parts of this series I will present some of the buildings of the cosmopolitan architect that are among the highlights of Viennese Art Nouveau.<p></p></div> <div class=pull-right><b>Otto Wagner: Stadtbahn Pavillon am Karlsplatz, Wienzeile-Häuser</b><p></p> Otto Wagner (1841–1918) war einer der ersten Architekten, der sich gegen den um die Wende vom 19. zum 20. Jahrhundert populären Baustil des Historismus wandte, der sich vor allem darauf beschränkte, Stilrichtungen vergangener Epochen nachzuahmen. Wagner propagierte eine neue, der Zeit und dem Leben moderner Menschen angepasste Architektur. Während seine radikalen Entwürfe von Vertretern der Moderne wie den Wiener Secessionisten gefeiert wurden, waren sie für die Hüter der Tradition blanke Provokation. Das mag auch einer der Gründe gewesen sein, warum viele seiner visionären Projekte nie zur Ausführung gelangten. In den nächsten Teilen dieser Serie stelle ich einige Bauwerke des Weltstadtarchitekten vor, die zu den Highlights des Wiener Jugendstils zählen.<p></p></div> <center>![19.jpg](https://files.steempeak.com/file/steempeak/vieanna/2miYFQqZ-19.jpg)</center> <div class=pull-left><b>Stadtbahn Pavilion Karlsplatz</b><p></p>With the construction of the Vienna Stadtbahn between 1894 and 1900, Otto Wagner set new urbanistic accents. As a general planner, architect and designer, he created a total artwork by combining technical-constructive functionality with high aesthetic standards. Eight of the light-railway stations located today on the U4 and U6 underground lines are still in their original condition.<p></p></div> <div class=pull-right><b>Stadtbahn Pavillon Karlsplatz</b><p></p> Mit der Errichtung der Wiener Stadtbahn zwischen 1894 und 1900 setzte Otto Wagner neue städtebauliche Akzente. Als Generalplaner, Architekt und Designer schuf er durch die Verbindung von technisch-konstruktiver Zweckmäßigkeit und hohem ästhetischen Anspruch ein Gesamtkunstwerk. Acht der heute an den U-Bahn-Linien U4 und U6 gelegenen Stadtbahn-Stationen sind noch im Originalzustand erhalten. <p></p></div> <center>![2.jpg](https://files.steempeak.com/file/steempeak/vieanna/H4CstcYY-2.jpg)</center> <div class=pull-left>At Karlsplatz in Vienna's 4th district, Wagner designed two identically pavilions, which, however, are no longer in use in their original function as station building. In the <a href="https://www.wienmuseum.at/en/locations/otto-wagner-pavillon-karlsplatz" >Otto Wagner Pavillon Karlsplatz</a> the Wien Museum presents a documentation of the architect's life and work during the summer months, the pavilion opposite houses a coffee house.<p></p></div> <div class=pull-right>Am Karlsplatz im 4. Wiener Gemeindebezirk konzipierte Wagner zwei identisch gestaltete Portalgebäude, die jedoch nicht mehr in ihrer ursprünglichen Funktion als Stationsgebäude im Einsatz sind. Im <a href="https://www.wienmuseum.at/de/standorte/otto-wagner-pavillon-karlsplatz" >Otto Wagner Pavillon Karlsplatz </a> präsentiert das Wien Museum in den Sommermonaten eine Dokumentation über Leben und Werk des Architekten, im gegenüberliegenden Pavillon ist ein Kaffeehaus untergebracht.<p></p></div> </center>![7.jpg](https://files.steempeak.com/file/steempeak/vieanna/h6Dv0Hhj-7.jpg)</center> <div class=pull-left>On the contrary to the other light rail stations, which were built conventionally with brick and mortar, the two pavilions on Karlsplatz have a visible steel construction with suspended white marble slabs, which is covered with a barrel-shaped corrugated iron roof.<p></p></div> <div class=pull-right>Im Gegensatz zu den anderen Stadtbahnstationen, die konventionell in Ziegelbauweise errichtet wurden, dominiert bei den beiden Pavillons am Karlsplatz eine sichtbare Stahlkonstruktion mit eingehängten weißen Marmorplatten, die mit einem tonnenförmigen Wellblechdach gedeckt ist. <p></p></div> <center>![18.jpg](https://files.steempeak.com/file/steempeak/vieanna/o8FKytds-18.jpg)</center><center><sub>St. Charles' Church / Karlskirche</sub></center> <div class=pull-left>With elements of a pre-industrial architecture, the two buildings are in contrast with the neighboring baroque St. Charles' Church, which was designed by Johann and Josef Fischer von Erlach in the years 1722-1739.<p></p></div> <div class=pull-right>Mit Elementen einer vorindustriellen Architektur stehen die beiden Gebäude im Gegensatz zur benachbarten barocken Karlskirche, die in den Jahren 1722-1739 von Johann und Josef Fischer von Erlach entworfen wurde.<p></p></div> <center>![8.jpg](https://files.steempeak.com/file/steempeak/vieanna/JURb1O8b-8.jpg)</center> <center>![4.jpg](https://files.steempeak.com/file/steempeak/vieanna/nGCNulyl-4.jpg)</center> <center>![5.jpg](https://files.steempeak.com/file/steempeak/vieanna/5e6f66At-5.jpg)</center> <div class=pull-left>Large-scale floral ornaments and decoratively curved lines show Wagner's turn to Art Nouveau.<p></p></div> <div class=pull-right>Großflächige florale Ornamente und dekorativ geschwungene Linien dokumentieren Wagners Hinwendung zum Jugendstil. <p></p></div> <center>![9.jpg](https://files.steempeak.com/file/steempeak/vieanna/MiOorPwG-9.jpg)</center><center><sub>Linke Wienzeile Nr. 38</sub></center> <div class=pull-left><b>Linke Wienzeile Buildings</b><p></p>With the ensemble of residential buildings on Linke Wienzeile and in Köstlergasse (6th district) Wagner wrote architectural history. Thanks to an intelligent floor plan solution, the corner property on the planned, but never completed, magnificent boulevard was optimally used. Equipped with an electric bell, elevator and bathroom as well as a novel facade design, the buildings amazed the people in the last years of the 19th century.<p></p></div> <div class=pull-right><b>Wienzeile-Häuser</b><p></p>Mit dem Wohnhausensemble an der Linken Wienzeile und in der Köstlergasse (6. Bezirk) hat Wagner Architekturgeschichte geschrieben. Durch eine intelligente Grundrisslösung wurde das Eckgrundstück am geplanten, jedoch nie zur Ausführung gelangten Prachtboulevard optimal genutzt. Ausgestattet mit elektrischer Klingel, Aufzug und Badezimmer sowie einer neuartigen Fassadengestaltung versetzten die Gebäude in den letzten Jahren des 19. Jahrhunderts die Bevölkerung in Staunen.</div> <center>![10.jpg](https://files.steempeak.com/file/steempeak/vieanna/Y7nxUFda-10.jpg)</center> <div class=pull-left>The gilded medallions and palmettes on the façade were created by the universal artist Koloman Moser.<p></p></div> <div class=pull-right>Die vergoldeten Medaillons und Palmetten an der Fassade stammen vom Universalkünstler Koloman Moser. <p></p></div> <center>![17.jpg](https://files.steempeak.com/file/steempeak/vieanna/t9d4gl7n-17.jpg)</center> <center>![13.jpg](https://files.steempeak.com/file/steempeak/vieanna/PQyhK4D5-13.jpg)</center> <div class=pull-left>A narrow, slightly set back window strip forms the transition to the neighbouring "Majolikahaus".<p></p></div> <div class=pull-right>Eine schmale, etwas zurückversetzte Fensterbahn bildet den Übergang zum benachbarten "Majolikahaus". <p></p></div> <center>![14.jpg](https://files.steempeak.com/file/steempeak/vieanna/cl1tNmtc-14.jpg)</center> <div class=pull-left>The name of the building is derived from the glazed ceramic tiles with which the façade is designed. The tiles are weatherproof and washable, which was an important element of modernity for Wagner, who was an advocate of hygiene. Wagner's closeness to the Vienna Secession is expressed in the large floral ornaments. (For more details on the Artists' Association of the Vienna Secessionsee <a href="https://steemit.com/hive-148441/@vieanna/viennese-art-nouveau-part-1-wiener-jugendstil-teil-1" >Part 1</a>).<p></p></div> <div class=pull-right>Der Name des Gebäudes leitet sich von den glasierten Keramikplatten ab, mit denen die Fassade gestaltet ist. Die Fliesen sind witterungsbeständig und abwaschbar, was für Wagner, der ein Verfechter der Hygiene war, ein wichtiges Element der Modernität darstellte. In den großflächigen floralen Ornamenten kommt Wagners Naheverhältnis zur Wiener Secession zum Ausdruck. (Näheres zur Künstlervereinigung der Wiener Secession in <a href="https://steemit.com/hive-148441/@vieanna/viennese-art-nouveau-part-1-wiener-jugendstil-teil-1" >Teil 1</a>). <p></p></div> <center>![16.jpg](https://files.steempeak.com/file/steempeak/vieanna/gW18sCW6-16.jpg)</center> <div class=pull-left>The third building of the ensemble, located at Köstlergasse 3 is the simplest from the outside. On the mezzanine floor of the building, Wagner furnished himself a city apartment, which also housed his famous glass bathtub.<p></p></div> <div class=pull-right>Das dritte Gebäude des Ensembles in der Köstlergasse 3 ist von außen gesehen das schlichteste. Im Hochparterre des Hauses richtete sich Wagner eine Stadtwohnung ein, in der auch seine zur Berühmtheit gelangte Glasbadewanne stand. <p></p></div> <center>![20.jpg](https://files.steempeak.com/file/steempeak/vieanna/jJ7zE86P-20.jpg)</center><sub>Photos: @vieanna</sub> <div class=pull-left>Otto Wagner's masterpiece, the church St. Leopold am Steinhof, I will introduce in the next part.<p></p></div> <div class=pull-right>Otto Wagners Meisterwerk, die Kirche St. Leopold am Steinhof, stelle ich im nächsten Teil vor. <p></p></div> <hr> <center><b>Viennese Art Nouveau / Wiener Jugendstil</b></center><center><a href="https://steemit.com/hive-148441/@vieanna/viennese-art-nouveau-part-1-wiener-jugendstil-teil-1" >Part 1 / Teil 1</a> </center>
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Wenn der "provokante Visionär" nur wüsste, dass er durch das unbeirrte Festhalten an seinen Ideen Wien zu einzigartigen architektonischen Highlights und echten Hinguckern verholfen hat, die heute nicht nur von Touristen bewundert, sondern auch von so herrlich lebendig schreibenden Kunsthistorikern wie dir studiert werden! Vielen Dank, liebe Anna, dass es dir mal wieder ausgezeichnet gelungen ist, mir einen in meinen Augen eher trockenen Stoff so interessant nahe zu bringen! Liebe Grüße, Chriddi
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Vielen Dank liebe Chriddi für dein sprachlich so wunderbar verpacktes Kompliment an den Architekten und die Autorin :-) Es freut mich sehr, wenn es mir gelingt, eine für mich sehr spannende Materie auch für Leser interessant zu gestalten, die mit Architektur weniger am Hut haben. Ich schätze Otto Wagner als Wegbereiter der modernen Architektur sehr. Er war kein Revolutionär im Sinne einer abrupten Veränderung, sondern hat durch die Berücksichtigung neuer Entwicklungen in technischer und gesellschaftlicher Hinsicht die Baukunst weiterentwickelt. Wagners Bauwerke stehen in wohltuendem Kontrast zu den vielen historischen Bauten in Wien. Liebe Grüße aus dem hochsommerlichen Wien, Anna
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Immer wieder Schön zu lesen mit Dingen die mit Karl beginnen. Wieder ein cooler Beitrag!! Wusste gar nicht das du ein Kunststudium machst, wurde gestern diesbezüglich in der Kneipe fortgebildet!! Aber du schaffst das !! Betreff Otto Wagners Meisterwerk, die Kirche St. Leopold am Steinhof, bin ich wahrscheinlich der einzigste Busfahrer der mit einem 50 Sitzer Bus dort rauf fahren durfte. Hatte eine Exkursion mit Peichl und Architektur Studenten aus Graz. War ein ganzer Tag auf den Spuren Otto Wagners. lg und schönes WE!! Editiert: Beichel war falsch, richtig ist: Peichel
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Bei Werner (@double-u) lernt man richtig was. Hoffentlich behält er das bei. Hat richtig Spass gemacht!
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Ich finde die Idee von @double-u, Quizfragen über den Abend verteilt einzustreuen, super! Die beiden anderen Fragen hätte ich auch sofort beantworten können. Ehrensache für eine langjährige Stammgästin, die allerdings in letzter Zeit die Kneipe geschwänzt hat.
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Hallo Karl, du wirst es nicht glauben, aber manchmal muss ich an dich denken, wenn ich an der <b>Karl</b>skirche vorbeigehe :-) <blockquote>Wusste gar nicht das du ein Kunststudium machst, wurde gestern diesbezüglich in der Kneipe fortgebildet!!</blockquote> Nachdem ich in Werner's Kneipe auf Hive nichts darüber entdeckt habe, bin ich auf Blurt fündig geworden. Ich hätte gerne eine Antwort hinterlassen, bin dort aber (noch) nicht angemeldet. Ich muss mal @brickster bitten, meine Passwörter zu ändern, selbst traue ich mich nicht darüber. Ich habe das Studium aus reinem Interesse begonnen, einen Abschluss strebe ich in diesem Leben jedoch nicht mehr an ;-) Einen Tag lang auf den Spuren Otto Wagners unter äußerst fachkundiger Führung unterwegs zu sein, beneidenswert! Ich vermisse dein Bildchen mit Cowboyhut. Ich hoffe, es ist nicht Corona zum Opfer gefallen ;-) Ein schönes Wochenende und liebe Grüße aus Wien.
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>äußerst fachkundiger Führung unterwegs zu sein Ja der Gustav Peichl hat alles irgendwie sehr gut Erzählt, mit Anekdoten wie Ironimus seinerzeit. lg 🤠 (du meintest dieses hier??)
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>... bin dort aber (noch) nicht angemeldet. Du weißt ja, dass du dort auch einen Stake hast, oder? 19,546.474 BLURT Ich weiß, auf drei Plattformen zu posten ist irgendwie auch Arbeit. Aber deine Beiträge sind es auf jeden Fall wert. Du würdest ganz schön fette Votes erhalten. Und da du deine Beiträge eh schon erstellt hast, ist das zusätzliche Posten ja mit 3 Klicks getan. Du brauchst ja nicht den Anspruch haben, auf alle Kommentare intensiv eingehen zu wollen. Ich musste mir für mich auch manches an Perfektionismus abgewöhnen, weil ich es sonst nicht mehr geschafft hätte. Z.B. hatte ich früher versucht, zusätzlich zu meinen Votes auf alle Kommentare, auch alle Leute noch zurück zu voten, die meine Seite gevotet hatten. Da war ich oft donnerstags noch nicht fertig. Ich hätte nie gedacht, dass ich dort mal hin komme, aber inzwischen mache ich das nicht mehr und es ist mir auch recht unwichtig geworden. Tja, manche Betrachtungen ändern sich selbst in meinem Alter noch ;-) Was so schön ist ... BLURT ist so schön unbelastet. Die Stimmung ist wie auf dem Steem in 2017. Liebe Grüße, auch mal wieder an @brickster, Werner
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Wieder ein toller Blog von Dir, schade das diese grossen Künstler sehr selten erfahren was sie geschaffen haben für die Nachwelt. Liebe Grüße Michael !invest_vote
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Danke Michael, allzu oft erfahren Künstler leider erst nach ihrem Tod die gebührende Anerkennung. Wagner wurde zu Lebzeiten von seinen Kollegen anerkannt, zum Teil jedoch auch angefeindet und vom Kaiserhaus weitestgehend ignoriert, was ihm viele Aufträge gekostet hat.
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Ja das wäre bestinnt die grösste Anerkennung für Ihn gewesen! Schönes WE. Bis bald! Michael
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@mima2606 denkt du hast ein Vote durch @investinthefutur verdient!<br>@mima2606 thinks you have earned a vote of @investinthefutur !<br>
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Danke.
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Very beautiful buildings; i.e. churches, rail stations, pavilions, apartments, etc. The architectures are very magnificent. And the arts are marvelous. I especially love the "floral ornaments". Very gorgeous! Thanks so much for sharing. ;)
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I find the architecture, but also the theoretical writings of Otto Wagner fascinating. I'm currently reading a book in which he is stated as one of the 50 architects in the world you should know. That is maybe an overstatement, but here in Austria at least he has a high standing. Have a nice weekend!
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Ah! Very interesting! ;) Thanks so much for your kind wishes. Wishing you a beautiful weekend, too! ;)
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👍👍👍
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Thanks for the valuable posts on your page I am grateful to be here in the community with you with love and respect No monopoly No racism No discrimination This is what we need Love, appreciation, respect and cooperation I will be happy to join my page and support me permanently Greetings
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author_curate_reward | "" |
voter | weight | wgt% | rshares | pct | time |
---|---|---|---|---|---|
brickster | 0 | 2,800,363,921 | 100% | ||
vieanna | 0 | 181,223,852,486 | 25% | ||
lfgiaa | 0 | 538,303,672,383 | 100% |
Thanks for your nice comment.
post_id | 87,190,846 |
---|---|
author | vieanna |
permlink | qfg9e6 |
category | hive-185836 |
json_metadata | {"app":"steemit\/0.2"} |
created | 2020-08-22 05:18:09 |
last_update | 2020-08-22 05:18:09 |
depth | 2 |
children | 0 |
net_rshares | 2,743,386,890 |
last_payout | 2020-08-29 05:18:09 |
cashout_time | 1969-12-31 23:59:59 |
total_payout_value | 0.000 SBD |
curator_payout_value | 0.000 SBD |
pending_payout_value | 0.000 SBD |
promoted | 0.000 SBD |
body_length | 29 |
author_reputation | 90,272,517,794,845 |
root_title | "Viennese Art Nouveau (Part 2) // Wiener Jugendstil (Teil 2)" |
beneficiaries | [] |
max_accepted_payout | 1,000,000.000 SBD |
percent_steem_dollars | 10,000 |
author_curate_reward | "" |
voter | weight | wgt% | rshares | pct | time |
---|---|---|---|---|---|
brickster | 0 | 2,743,386,890 | 100% |