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Openmic-Tutorial for Pianists/Composers: How to compose a piano-melody @senzenfrenz by senzenfrenz

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· @senzenfrenz · (edited)
$77.42
Openmic-Tutorial for Pianists/Composers: How to compose a piano-melody @senzenfrenz
# Hey Guys,
###### in my recent openmic entry I am performing a composition of myself, which is called "Fragment from Asia". 
###### With this post, I want to explain how this composition is made, especially how to create and use a suitable melody for your composition.
###### If you like you can start reading and listening:
# 
##### Fragment from Asia (@senzenfrenz)
![fragment from asia-1.png](https://steemitimages.com/DQmdQEWFCvApquMMHDeWSvcqtTGMf7jZ9yaA7Rrd7ygaP4q/fragment%20from%20asia-1.png)
<iframe width="560" height="315" src="https://www.youtube.com/embed/qOtiPiS4dQM" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>



###### Often, you sit at the piano, just waiting for a creative input to work with. This is something you can use pretty well to construct something meaningful for your composition. You may start with some chords or some melody, it doesn't matter.
###### But it is also helpful at some point, to know at least intuively, how to structure your music. Let me explain this in case of the meoldy:
###### In my lessons at school I get some ideas just while teaching. Recently I was teaching the pentatonic scale, which is a scale based on five notes:

##### Pentatonic Scale on As:
![penta.png](https://steemitimages.com/DQmSonz5hp1qodFpE2Yb7vUK68rcny87kd5irtzHAfCwmTy/penta.png)

###### That scale is used in asia, original black music culture and in indonesian slendro, for example , and is - of course - different from the Major and Minor scales we use in western musical culture. I don't know whether I decided to just use that scale for my composition or if I was inspired just by the scale itself to create something associated with asia, but finally the pentatonic scale turned out to be my melodic basis for my composition.

###### If you play those pentatonic scale, you will just associate it with some asian stereotype, which comes mostly from film-music industry. So it is often presented very silly and superficial, just think about the "Flohwaltzer" (Fled-Waltz), everyone can play just by using the black piano keys:
https://www.youtube.com/watch?v=xX6Uev426Vs


###### So that is where a creativ and meaningful input has to come to your mind in order to not just plagiate some less meaningfull stuff. In this case, this meant to me, to use the scale not too obviously and present it on a more subtile context and embeded in traditional form of western music culture. This seems much more suitable and honest for me, because I am, as a german, not nearly capable of composing original asian cultural music. My point of view more was a contemplative state and I was thinking about beautiful asian girls laughing, colourful clothes, ming vases and stuff like that. All this formed the musical parameters afterwards.  
###### When you look at the melody, you will see, that I used a periodic form of 16 bars, combined with a developing theme, drawing the melody up slowly and build up some tension by first using four notes of the pentatonic scale, repeating that, split off that phrase into two motifs and deliver the last tone of the scale (f'') in the 13th bar as kind of climax, than coming down and closing that melody. I tried to visualize it here:
![asiafragment.png](https://steemitimages.com/DQmbD3bcUotfgyjmvV4AA9mpCvdv773oCRYf9hvMeyswRZx/asiafragment.png)



###### This melody is now a first part of my composition, which (by the way) I decided to compose in As-Major (As because of "ASian"). Mostly, musical form in western cultural music is based on the "Forma bi partita" (J.S.Bach) which is just a two-part form like A-B (with A repeated most times A-B(-A) )I decided to compose a contrastive part afterwards. This part is a little bit deeper, darker turning to minor and going down with the melody first, and then catching up again before all comes back to my pentatonic melody.

###### That's pretty much all as of now. I hope you found my information interesting, I will be happy to read your thoughts in the comment section. You may even consider to support my openmic-entry which you can find here:
###### https://steemit.com/openmic/@senzenfrenz/steemit-openmic-week-85-fragment-from-asia-original-music-senzenfrenz

### Thank you very much,
#### *Yours, @senzenfrenz*
👍  , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
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@classical-radio ·
$0.03
Thanks for the insight into your creative process!

Resteemed, your post will appear in the next curation with a SBD share for you! 

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@senzenfrenz ·
Wow, that's great News, thank you very much!
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@sammynathaniels ·
Nice tutorial
 what about the the bass scale, you only showed the notes in the treble scale...
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@senzenfrenz · (edited)
Thank you! I focussed on the melody with this post which is the main issue related to such music in my opinion. Chords and left hand accompaniment are not specificly complicated when the melody is set up, I just play them instantly. But I take this as a motiviation to say something about this too in near future
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@gussiefinknottle ·
$0.08
I'm new here, @senzenfrenz, so this is the first time I have seen you.  I don't compose or play myself but I like your melancholy piece. 

Did the melody come from playing with (improvising on) the pentatonic scale, before you though of developing it within a 16-bar structure? 

For what it's worth - not much, I admit - the opening made me think of a motif from Mahler's 'Das klagende Lied' (33 seconds in: https://tinyurl.com/js9mj7v), though you quickly take it in a different direction.

Keep up the good work. Great to have some interesting - and original -  musical content on the platform.
👍  
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@senzenfrenz ·
Welcome @gussiefinknottle, yes as you say it is first improvised and then developed as a musical form. And wow, yes, this is mahlers motif from the beginning of the "klagendes Lied", I wasn't aware of that. But I love mahlers music it is fantastic and I definitely am inspired by the german romantic composers, so perhaps I am using some motifs in a similar way intuitively. Thank you very much for your insightful reply!
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@gussiefinknottle ·
Just one of the those strange coincidences - there are only 12 notes after all. It's a great little motiv, which is why it's in my head from the Mahler.
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@menoski ·
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vote your-acct "menoski" "re-senzenfrenz-openmic-tutorial-for-composers-explaining-how-a-piano-melody-works-senzenfrenz-20180519t233429144z" 100 true
post_comment your-acct "re-menoski-re-senzenfrenz-openmic-tutorial-for-composers-explaining-how-a-piano-melody-works-senzenfrenz-20180625t034620502z" "menoski" "re-senzenfrenz-openmic-tutorial-for-composers-explaining-how-a-piano-melody-works-senzenfrenz-20180519t233429144z" "" "your reply.." "{}" true

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@steemsearch ·
$0.03
![CuratorSealOfApproval.png](https://steemitimages.com/DQmWY3ZNGefLui9vrxFsBiucEgj7NrrciE9ayiZdxjbx5S6/CuratorSealOfApproval.png)

<center><sub>This post was upvoted by curie and it's trail as a result of a submission to the guild by @markangeltrueman. Curie is a curation guild which finds and upvotes high-quality posts by new and undiscovered members of the Steem community. View the blog at @curie and visit the website at http://curiesteem.com/</sub></center>
👍  
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vote your-acct "steemsearch" "re-senzenfrenz-openmic-tutorial-for-composers-explaining-how-a-piano-melody-works-senzenfrenz-20180521t161820899z" 100 true
post_comment your-acct "re-steemsearch-re-senzenfrenz-openmic-tutorial-for-composers-explaining-how-a-piano-melody-works-senzenfrenz-20180625t034620503z" "steemsearch" "re-senzenfrenz-openmic-tutorial-for-composers-explaining-how-a-piano-melody-works-senzenfrenz-20180521t161820899z" "" "your reply.." "{}" true

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@senzenfrenz ·
Thank you very much for voting!!
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@elaineyumusic ·
$0.03
Great post!
👍  
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vote your-acct "elaineyumusic" "re-senzenfrenz-openmic-tutorial-for-composers-explaining-how-a-piano-melody-works-senzenfrenz-20180522t155635308z" 100 true
post_comment your-acct "re-elaineyumusic-re-senzenfrenz-openmic-tutorial-for-composers-explaining-how-a-piano-melody-works-senzenfrenz-20180625t034620505z" "elaineyumusic" "re-senzenfrenz-openmic-tutorial-for-composers-explaining-how-a-piano-melody-works-senzenfrenz-20180522t155635308z" "" "your reply.." "{}" true

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@senzenfrenz ·
Thank you very much!
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