Greetings, Lords and Ladies. Once again, the time has come for me to share some of the lesser known facts that I have discovered about this Kingdom of Earth. These findings are to be the most controversial ones that I have shared with you so far, so I ask that you think critically and view the evidence I shall present to you with an open mind.
Due to the lack of weirwood trees in this realm, the Old Gods have no eyes to see, and thus no power. A man needs a God in order to provide him with humility, and so I have been searching for an Earthly religion worthy of my faith and my loyalty.
My research took me to the smallest country in the known world. Vatican City-- which is oddly inside a city, which is inside another country. One would think attempting to ascertain how there could be a country inside a city inside of a country might prove the most perplexing of curiosities I would find on my travels. However, what I discovered in Rome-- I mean, in Vatican City, in Rome--was far more baffling.
I will now share with you two serious questions that I require answers to before I can entertain the thought of adopting this religion.
An internal viewing of the hall reveals windows which look like reptile eyes, a ceiling shaped like skull of a serpent, scale-like design elements, and what appears to be two fangs protruding from an open mouth in the center of the hall--where the snakes mouth would be.
An external viewing is not nearly as obvious. Yet the shape of the building, the position of the windows and an odd design choice on the right which is similar to the nose of a snake, lend the internal viewing some further context for which the serpent design can find some validity.
Though I am new to this Kingdom, my studies have led me to the understanding that the snake or serpent is representative of the villain in the Roman Catholicism's holy book, Satan. If this is the case, I have to wonder why the Catholic church chose to design such an important part of the Vatican in this manner, and why the throne of the Pope sits in the mouth of the snake during speeches, appearing to be symbolic of him being the voice of the serpent/Satan.
This twenty-meter-wide brass and bronze sculpture behind the current Pope, Benedict XVI, is located in the Vatican's Paul VI Audience Hall which was completed in 1971.
The Official Vatican spin on this horrifyingly evil appearing sculpture, supposedly in the words of Fazzini, who is no longer among the living to confirm it, is thatChrist rises from this crater torn open by a nuclear bomb; an atrocious explosion, a vortex of violence and energy.
If this is, indeed, a modern depiction of the Resurrection of Christ, why then does it bear such a bizarre alien chthonic resemblance to a demonic, Satanic image?
Why is the wordChristnoticeably absent from the name of the sculpture? Just who is it, really, that is shown beingResurrectedhere?
The sculpture allegedly representing a nuclear apocalypse could certainly explain the grotesquely unsettling nature of the piece, but it does not explain why such an event would be portrayed in the sculpture. Given the location of the artwork--right behind the Papal throne--this is a piece that is going to be seen by a lot of eyes, at the most important moments in the Vatican's progression. Would it not have made more sense, surely, to commission a piece which was more welcoming and conveyed a warmer message to audience members?
Curiously, the serpent is also demonstrated once again at a closer look, forcing one to wonder whether it is really Christ, or Satan that is rising from the ashes in this monstrous sculpture.
When considering all the better-known facts and accusations surrounding the Roman Catholic church, I feel that these findings are very worrying. It certainly appears as though the intent of the Catholic church is not to pay homage to Jesus Christ, as they say, so one must wonder what their true agenda is.
If any of my loyal readers are able to offer some plausible explanations that can serve to dispel my suspicions, I ask that you make use of the comments section below and share them.
*a racist, abusive coward who could permanently damage the fabric of our society.*