Tx 2fb1bc1e2fdb955cbc94046071df492e81e87f09@22720744

Included in block 22,720,744 at 2018-05-24 21:02:45 (UTC)


Raw transaction

ref_block_num45,268
ref_block_prefix2,890,971,128
expiration2018-05-24 21:12:36
operations
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0.comment
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parent_author""
parent_permlinkmovies
authorriotdog
permlinkdialogue-on-film-interlude
title"Dialogue on Film (Interlude)"
body"<strong><em>Recling upon a lumpy couch. 8:18 GMT, 24 May 2018. </em></strong>
Carrying on with my habit of separating entries in "post series" with unconnected posts, I've found myself struck at an exchange between myself and a film editor whose identity I feel uncomfortably disclosing, but whose talents have been gaining repute. Below, we discuss the institutions surrouinng the art of film, after amusing ourselves to think a film I wrote might win an invitation.
<strong>Friend:</strong> Hahahaha oh I know, rarely does the writer even get invited! I can just imagine you freaking out those bougie dweebs. It would be glorious.
<strong>Myself:</strong> So, Cannes attendees, they're mostly just 1%ers? That bums me out on a cultural level. Like, there are people out there who have enough passion about film they get doctorates in it, and I feel like they deserve tickets just for that.
<strong>Friend:</strong> For the most part, most people can't afford to drop everything they're doing and hang out in France for a week, watching 3 hour long postmodern garbage movies. Sundance is basically the same, but not as pretentious.
<strong>Myself:</strong> Thanks for the bird's-eye view on what a fucking cultural wasteland Western civilization has become. Just as expexted, trash at the top.
<strong>Friend:</strong> Some would argue it's been like that before we were even born. All I know is that it is true as of today.
![2018-05-24 16.01.03.jpg](https://cdn.steemitimages.com/DQmUru4b6Vk57kg762Cpg3otN9Ju2W5PSK21F6GBLpm3ZQh/2018-05-24%2016.01.03.jpg)"
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transaction_id2fb1bc1e2fdb955cbc94046071df492e81e87f09
block_num22,720,744
transaction_num72