I have been studying dry grass graphics for a long time. It all started  in the fall and continued in the winter. Dry grass surrounds us always, except for summer, so in the spring I continued to observe and photographic experiments.

In spring, dry grass is interesting because it has a linearity. During the winter, it was crushed away with snow, which then melted, and the grass remained lying. It turned out, of course, for the most part graphic landscapes.
https://pp.userapi.com/c851532/v851532936/108811/qwOIp1KZh7c.jpg

Just the patterns this time did not want to shoot.
https://pp.userapi.com/c851532/v851532936/108900/z_ERYDTzcDQ.jpg

This time, the dry grass graphics played as an additional way to get a black and white landscape, as a separate foreground element.
https://pp.userapi.com/c849424/v849424463/187613/5Ss3sjWRqHI.jpg

Any wide-angle lens with corrected distortion stretches the image in the corners, which enhances the dynamics of the composition.
https://pp.userapi.com/c849424/v849424463/187627/pkNT2mbtMM0.jpg

I probably run ahead and show photos from one of the trips, which I will talk about later. But I think that it is not scary, since in this post only the subject of graphics is affected.
https://pp.userapi.com/c849424/v849424463/18763b/arIW2KEaovM.jpg

Even an ordinary black and white landscape is a completely different world and a different atmosphere.
https://pp.userapi.com/c849424/v849424463/1876b2/iLv8Qbgp-WE.jpg

In any journey you can remove two different materials, one of which will be associated with graphics. I slowly master this method of seeing a future photography. Previously, I could only shoot on one given topic, but now I can open in parallel two or three genres of photos from one trip. It is very interesting!
https://pp.userapi.com/c849424/v849424463/18778d/GZIksZcNicY.jpg

It turns out that dry grass is the most graphic natural element!
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Canon 6d, EF 17-35 / 2.8L