The title of the film, "Focus", as the name implies, makes us think deeply about the film's pairing and correspondence, but also because the title is a profound reminder that we have unwittingly lost sight of its meaning. The film shows us how the diversion of attention allows us to be taken advantage of in a brief moment of laxity, and speaks to the elusive and very elusive double question of weakness. The concept that the film presents us with is very powerful, it is between reason and sensibility, its effect and killing power is full of irrational destruction, it is reason that makes us, but let the feelings make us irrational, between feelings and reason is it possible to get a win-win situation, often unknowingly fall into a dead end, even if you have the ability to get through, there is always something that you appreciate and can't let go of, even if there is a little emptiness. Even if you have something, even if there is a little bit of emptiness and weakness, the ending is often deeply altered by reality, wanting to get a happy ending, the idea is good, but what is needed more is a sophisticated deception of the sky over the sea. The story does not develop in an irrational direction, it breaks down and dissects the life trajectory of not the absolute elite, but the normal nature of ordinary people. The deception is not really clever, it is only well prepared, under conditions of careful planning and preparation, that a certain degree of invulnerability is possible, and the so-called real elitists are merely pawns in it.
The director edits and plots the story in a rhythmic manner, setting up an anticipatory suspense for us, leading us step by step in the direction we imagine, always leading, never showing anything unusual, so much so that without seeing the ending we keep thinking that the film is just a sparse story of revenge, and that the twist in the story is the one where the mystery is revealed at the end. The twist is that the mystery is revealed at the end, which not only reverses the overall storyline of the film, but also gives a plausible excuse for the film to return to reality, and reminds us that every high-intelligence crime that seems so highbrow is not, by its very nature, out of the realm of ordinary people, and that the reason we marvel at the amazing deeds of these people is simply the lies that are woven to make us fall into the trap of fantasy. The film shows us an organised and planned street theft scene, where a series of methodical and coordinated thefts are completed in a very short period of time, and not only are the movements of each other accomplished with ease, but the dazzling action scenes are also collected in the camera. The film is very conservative in its choice of a single, well-crafted film. The film is conservative in its choice of a fixed Hollywood formula for commercial films, from the choice of material to the plot and the commercial elements, there is hardly any innovation, the film uses a very safe form to interpret the content of the story, which seems to be a vulgar move, but adds a little bit of its own flavour to the content and suspense. The subversion that the film brings us at the end of the film does not turn the whole plot upside down, but only the part that people imagine for themselves, away from people's almost perfect imagination to perfect the elite protagonist, pulling the elite back to reality, and even the smart elite will be bound by their own imagination, defeating not others but themselves.
As the black actor Will Smith, he plays a middle-aged fraud. He plays a middle-aged swindler, and in terms of image and temperament, one cannot find a psychological fit for his performance. The charm and perspective of his performance in the play also vividly expresses the character's particularly impulsive feelings, although the outbursts of emotion and guilt that he portrays are easy to relate to, but are still relatively naive compared to his position as a fraudster. And as for Margot Robbie's beautiful thief. The most striking aspect of the film is her bold and delicate portrayal of emotion, her natural and personal sense of camera presence, the way she smiles without the slightest hint of artifice, and the way she allows the camera to She has a natural and personal touch to the camera, and her every smile is unpretentious, allowing the camera to capture her at her most perfect and stunning, with an aura of confidence that is as beautiful as Will Smith's. She has the confidence to be as beautiful as Will Smith.
