General facts about music - The church scales part 3 by samidbarid

music · @samidbarid · Jul 29 '18

$2.47

General facts about music - The church scales part 3

It falls to the lyrically the only mode in which, compared to the ionic scale, a note is raised: the fourth. In all other modes, sounds are degraded. If one brings the church scales into a different order, one realizes that this happens little by little. For this we take Lydian as the initial mode. If we lower the quartet in an Lydian scale, which is elevated compared to the ionic scale, we bring it back to the initial state so to speak. The excessive quartet becomes pure and we receive ionic. If we lower the seventh on this ionic scale, we get Mixolydian.

![A7C47482-425C-42AD-B9A6-A08801CD1D10.jpeg](https://cdn.steemitimages.com/DQmfAGhmWtaAyTAU3CnMpJBH5qwTXVA5bTq73ssJDAafWdV/A7C47482-425C-42AD-B9A6-A08801CD1D10.jpeg)

If we additionally humiliate the third then it becomes Dorian. Based on the fact that the more intervals are small or even reduced, a scale looks darker by do, the corks scales certainly allow an order from light to dark to be set up:

Lydian / Ionian / Mixolydian / Dorian / Aeolian / Phrygian/ Locrian

![A3E1FA32-D1E9-4516-B391-607921BC774D.jpeg](https://cdn.steemitimages.com/DQmPYq9H7ihYUERGE24GtwHV2LF936L4GUtLu2GAfN9C6Ls/A3E1FA32-D1E9-4516-B391-607921BC774D.jpeg)

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